This book is the third work of Gastón Soublette on the symbolism of cinema and once again, the prominent chilean philosopher, esthete and musicologist, unveils the messages that hides films that are not perceived by the viewer at first sight. The author warns that the specialized critic formulates general judgments based on direct narration, while his method allows us to perceive presents meanings when analyzing tapes as an indivisible continuum in a perfect order of sequences and planes. The films analyzed are: La Dolce Vita, La Strada, Ginger and Fred, The Judgment of God and The Fall.