What are the possible relations between the arts? What is the role of music in the cinema? In what way do dance and video art dialogue? How are elements of painting transferred to music or poetry and vice versa? How to approach works in which two or more artistic disciplines converge and articulate? The studies presented here attempt to answer these questions by exploring the migrations and convergences between the arts in the 20th and 21st centuries. Using theoretical analysis adapted from art criticism, semiotics and literary theory, among other fields, comparative, hermeneutic and structural analyzes are applied to a wide selection of cases from Latin America and Europe. Therefore, this book constitutes a reference material for those who are interested in the appreciation and interpretation of the art of the twentieth and twenty-first centuries in its various expressions (music, film, fine arts, literature and dance).