It is known that every work of art is an objective interpretation of a reality that is unencumbered or not from the real, but also a sum of subjectivities that are found and that are contaminated. So, in order for the director to get where he wants, he needs the freedom to improvise, to deviate from the programmed path, to feel free in the face of the unpredictable encounter on the set. Knowing which actor will accompany you on this journey and which grammar to use will help you to understand and enjoy some various moments that objective knowledge cannot define. The actor, in turn, will feel supported, oriented and confident to take risks in front of the camera, without being embarrassed by that cold eye that peers at and desires.